Our obsession with HBO’s Westworld, and how we can interpret it through a Borderlands history perspective, continues. Major spoilers ahead for seasons 1 & 2 of the series.
There are two overarching themes at play in the second season of Westworld. The first, and most prevalent, has to do with the consequences of violence. What Ford reminded his wealthy patrons at the gala in Escalante, when Dolores –as Wyatt– assassinated him, was that violence and borderlands have always been intertwined. Before, when the guests could act out their bloody fantasies without fear of injury to themselves, it presented only a partially-realized view of lived reality and history. In season two, Westworld introduced viewers to two additional parks, one based on Tokugawa Japan and another on India during the British Raj, both societies predicated on a finely-tuned balance of order and violence. Following the events in Escalante, however, removing the limits on the consequences of violence, not only democratized experience in the parks, but also brought them into historical continuity with the regions in which they are based. In short, it injected a bloody ambiguity into the narratives of the visitors who came to Delos’s fantasylands.
The second overarching theme: how identity is molded and who carries out the molding. Viewers see it with the obsession for fidelity that William, Dolores, Bernard, Arnold, and Ford share. The point is not simply to create a fully realized world, but one that also conforms to their idiosyncratic priorities. They desire to produce individuals who will serve their needs, whatever the reason. Language games and bodily comportment are critical to this process of molding another’s identity, and failure to achieve fidelity results in swift and violent consequences. For students of the U.S.-Mexico borderlands and the frontier, numerous parallels with the state’s own obsession with social hierarchy, conformity, bodily comportment and language emerge. The Indian schools, women’s clinics, prison camps, and delousing checkpoints that appeared in the borderlands during the nineteenth and twentieth centuries created their own parameters to determine the state’s measure of fidelity to the American racial ideal. The laboratory where William endlessly torments a mechanical copy of his father-in-law, James Delos, in order to create a version of the man to his pleasing, serves as a macabre allegory to the historical actions of the state.Continue reading